Action Comics #967
I’d made the argument recently that Lex may well be more deserving of the “Superman” mantel than Superman himself… As it turns out I was very, very wrong.
I’d made the argument recently that Lex may well be more deserving of the “Superman” mantel than Superman himself… As it turns out I was very, very wrong.
Kotch is a slightly more sinister space Hitler, save for the fact that his primary precept is precisely the main message of the game, an irony by all indications entirely unintentional.
The promise of a partnership between Damien Wayne and any son of Superman carries plenty of potential just from its premise alone
It’s in Civilization VI’s ludic elements that Firaxis has most stretched its legs as storytellers, telling a new tale of human history by means of a new historiography.
In comics jargon, “gutter space” is the blank area between the panels; save perhaps for the (admittedly awesome) reveal on the last two pages, the entirety of issue #966 could have been relegated to said gutter.
An outstanding homage to Alan Moore’s Dark Age classic “For the Man Who has Everything,” using the same themes towards a decidedly different take on the Trinity
Between Jurgan finally hitting his stride and Segovia proving his chops as well, Action Comics is beginning to make me a believer in Rebirth.
Return of the Caped Crusader is a truly magical movie, one which transports audiences back to afternoons after school and sunny summer mornings spent watching West and Ward, the only difference being that the film is funnier, campier, more absurd than ever before. This is the Bright Knight at his brightest.
Hitch has yet to prove himself to be a bard worthy of writing the lays of our culture’s greatest gods and heroes
Every bit as much as Daredevil is a hero is shaped and defined by Irish Catholicism, so too is Luke Cage cut from Black Liberation Theology.