Gods of Egypt

Gods of Egypt is a reverent translation of disparate myths into singular overarching epic by way of Marvel’s Thor, Shakespeare’s Hamlet, and Campbell’s monomyth.

Superman: The Coming of the Supermen #1

No comic book reader with even a cursory knowledge of the history of the medium could deny the importance of Neal Adams contributions in the past. Alongside his most notable co-creator, Dennis O’Neil, Adams was instrumental in reestablishing a more serious tone for Batman, a necessary tonic after the high camp of the Adam West…

Star Wars #16

The brief interaction between Solo’s gender-swapped doppelgänger and his former partner-in-crime is a microcosm of everything good and bad, genius and cringe-worthy, since Marvel reclaimed the Star Wars license.

Superman: American Alien #4

The sublimity of Landis’ script is that such interconnectedness never comes across as contrivances. Every familiar face that interacts with Clark progresses the plot while keeping true to their character.

Deadpool

This is a fan film that happens to have official branding and Hollywood backing, but otherwise created by fans, for the fans, and staring the most famous fan of all.

Zoolander 2

Zoolander 2 asserts the notion that pulchritude is passed out as a participation trophy to every runner in the human race. This is absurd.

Darth Vader #16

If Aphra is evil Han, Queen Triton is the dark mirror of Leia, daughter to a world in rebellion who instead sides with Vader.

On the Relation of Metafiction to Metaphysics in Sequential art

Comics serves as an appropriate analogy for a more accurate understanding of reality than humans naturally intuit. It may very well be that all men are, in a very real sense, characters in a comic book which is already written, heroes of a story already set down.