Superman: American Alien #4
The sublimity of Landis’ script is that such interconnectedness never comes across as contrivances. Every familiar face that interacts with Clark progresses the plot while keeping true to their character.
The sublimity of Landis’ script is that such interconnectedness never comes across as contrivances. Every familiar face that interacts with Clark progresses the plot while keeping true to their character.
This is a fan film that happens to have official branding and Hollywood backing, but otherwise created by fans, for the fans, and staring the most famous fan of all.
Zoolander 2 asserts the notion that pulchritude is passed out as a participation trophy to every runner in the human race. This is absurd.
If Aphra is evil Han, Queen Triton is the dark mirror of Leia, daughter to a world in rebellion who instead sides with Vader.
Comics serves as an appropriate analogy for a more accurate understanding of reality than humans naturally intuit. It may very well be that all men are, in a very real sense, characters in a comic book which is already written, heroes of a story already set down.
Palpatine grooming Anakin to question his Jedi teachings brings the padawan to a place of spiritual danger and darkness.
Logan is Marty McFly with razor sharp claws and a lot less fucks to give.
The desire to matter – to be super – also proves deeper and more driving than Jaffe’s concern for his own safety and wellbeing.
Superman’s trinity is “Truth, Justice, and the American Way,” for which he fights a never-ending battle of a more infinite importance than any finite lives.
Past experience has proved that even eventually excellent superhero shows have poor pilots, and the dismal debut of DC’s Legends of Tomorrow certainly doesn’t buck this trend.