We’re Living in the Postmodern Age of Comics
The Current Battle for Personal Truth, Social Justice, and a New American Way
The Current Battle for Personal Truth, Social Justice, and a New American Way
Giant mecha battling killer kaiju could conceivably occur. Standing up Amy Jo Johnson circa 1993? Far less likely.
The Goddamned is a New Testament take on an Old Testament tale, focused on subverting the text to elicit in the reader a deeper contemplation of the question as to who actually constitute the sheep and the goats.
No comic book reader with even a cursory knowledge of the history of the medium could deny the importance of Neal Adams contributions in the past. Alongside his most notable co-creator, Dennis O’Neil, Adams was instrumental in reestablishing a more serious tone for Batman, a necessary tonic after the high camp of the Adam West…
The brief interaction between Solo’s gender-swapped doppelgänger and his former partner-in-crime is a microcosm of everything good and bad, genius and cringe-worthy, since Marvel reclaimed the Star Wars license.
The sublimity of Landis’ script is that such interconnectedness never comes across as contrivances. Every familiar face that interacts with Clark progresses the plot while keeping true to their character.
If Aphra is evil Han, Queen Triton is the dark mirror of Leia, daughter to a world in rebellion who instead sides with Vader.
Comics serves as an appropriate analogy for a more accurate understanding of reality than humans naturally intuit. It may very well be that all men are, in a very real sense, characters in a comic book which is already written, heroes of a story already set down.
Palpatine grooming Anakin to question his Jedi teachings brings the padawan to a place of spiritual danger and darkness.
Logan is Marty McFly with razor sharp claws and a lot less fucks to give.